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but in reality
this ceremony became a request to improve calligraphy skills
without ever understanding the physical principle
graphics played a central role
a curious open structure appears by the water
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 4, 1834 sculture but in realityStunning proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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